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最新《陋室铭》教学反思缺点 陋室铭 教学反思(二十二篇)

格式:DOC 上传日期:2023-03-23 16:48:23
最新《陋室铭》教学反思缺点 陋室铭 教学反思(二十二篇)
时间:2023-03-23 16:48:23     小编:zdfb

在日常的学习、工作、生活中,肯定对各类范文都很熟悉吧。写范文的时候需要注意什么呢?有哪些格式需要注意呢?这里我整理了一些优秀的范文,希望对大家有所帮助,下面我们就来了解一下吧。

《陋室铭》教学反思缺点 陋室铭 教学反思篇一

但是今天改完该课的基础训练册,发现学生的作业错误率很多,生字词全对的只有一个同学,问答题有几个没写的,中间对课文内容需要掌握的,也写错了。全对的寥寥无几。

看来,这是一堂失败的课。

失误在那里呢?

1、没有发挥学生的主体性。教学内容多。幻灯片一个一个,学生说放的太快了。像生字词学生没有背诵的少,图片也看不清。

2、课文知识点如描写陋室生活情趣的句子,几乎全部学生答错了。这说明学生们也不能主动地思考。

3、体现课文作者心目中的君子的品格的特点是什么?也有不少学生不会答,他们对于课文看来就不懂。学生没有探究,课堂只是让个别学生会了。

所以:以后说设计问题要精,组织课堂的能力要加强。图片要清晰。我的声音也需要美化,语文教师尤其美丽的语言是一种享受。

《陋室铭》教学反思缺点 陋室铭 教学反思篇二

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《陋室铭》教学反思缺点 陋室铭 教学反思篇三

这篇课文文质兼美、篇幅短小,读起来琅琅上口,容易引起学生的学习兴趣,因此在学习本文时,让朗读贯穿整堂课,学生在读中感知语言,在读中揣摩作者的感情,充分“发挥文章的巨大感染力”。我设计了几个朗读环节:

1、讲完背景故事后,学生已有了学习本文的兴趣,我于是进行范读,让学生初步感受短文的优美语言和意味,产生阅读的欲望。

2、学生自由读,这是初读,要求读准字音,把握节奏,初步进入文本。

3、指名朗读,要求读出情感。读后学生带着对文章的理解进行点评,对什么地方应该重读,什么地方应该轻读,什么地方应该停顿等提出了自己的看法,学生根据自己提出的看法再读课文,就不仅读出了情感,更读出文章的韵味。

4、女同学朗读,男同学画出描写陋室的语句,品析这些语句是如何来表现陋室不陋的。在这样的几轮朗读之后,学生已能当堂背诵,而且并不太有文字难度的文章,已经理解得比较好了。

刘禹锡的《陋室铭》运用托物言志的方法表达了自己高洁傲岸的节操,安贫乐道的情趣。这与今天学生的生活相去甚远,如果学生不知道刘禹锡是在怎样的情况下写了这篇不朽的名篇,理解起来会有一定的难度,所以我在导入部分以讲故事的形式介绍了本文的写作背景,让同学们了解到这是一篇不畏权势的战斗檄文,从而带着对刘禹锡铮铮傲骨的佩服学习此文,品味其儒雅高傲之感,激发学习兴趣。

精心设计问题,并形成一个问题链,让这些问题逐步深入地把整篇文章的内容串联起来,每个问题都让学生从课文内容出发,挖掘其意义,让学生在每一句课文的理解中都绽放出思维的火花,最后运用课文内容的内在联系和前后呼应把它连接在一起,融汇贯通,把全篇课文的讲析内容全部带了出来,在学生头脑中形成了“串珠成链”的整体把握效果。这种方式不仅能活跃课堂气氛,不让人觉得死气沉沉,而且问题与问题之间环环相扣,从屋外到屋内,从景-人-趣,一步步地随着学生自主地交流探讨深入进去,使学生在深入的过程中理解全文。

在疏通字词这个环节,我改变了以往以老师串讲为主的方法,而采用同学互相质疑、解答的方法,鼓励学生从书中发现问题,大胆提出问题,然后同学们互相解答。对于重、难点教师适当点拨、强调。

但可惜的是这个环节安排的时间太少了。文言文毕竟是一种与现今实际使用的活的语言相去甚远的古代书面语,学习时会有一定的难度,如果学生连字面意思都还没有搞懂,就很难理解此文的深层含义了,因此掌握文言词语和文言句式应该是本文的学习重点。可是,我因害怕设计的内容上不完,有意缩短了这个环节,使很多重要的字词没有得到解答,学生没有很好的理解,因而在后面了解文章主旨这一环节时,出现了一次短暂的冷场,虽然这次冷场被我巧妙的解决了,但仍然感到遗憾。

《陋室铭》教学反思缺点 陋室铭 教学反思篇四

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《陋室铭》教学反思缺点 陋室铭 教学反思篇五

这篇课文文质兼美、篇幅短小,读起来琅琅上口,容易引起学生的学习兴趣,因此在学习本文时,让朗读贯穿整堂课,学生在读中感知语言,在读中揣摩作者的感情,充分“发挥文章的巨大感染力”。我设计了几个朗读环节:1,让学生初读课文,根据“铭”的特点,将文中的韵脚找出来,让学生初步感受短文的语言特点,产生整体感知。2,学生再读,体会骈体文的句式上的特点,进一步了解本文语言的特点。 3,指名朗读,要求读出情感。读后学生带着对文章的理解进行点评,对什么地方应该重读,什么地方应该轻读,什么地方应该停顿等提出了自己的看法,学生根据自己提出的看法再读课文,就不仅读出了情感,更读出文章的韵味。教师指导朗读技巧。4,学生观看视频,听配乐朗读,加强朗读的节奏感的把握,并通过视频感受陋室的环境等,5,全班齐读,配合视频音乐,再次感受鲜明的节奏感和韵律美。在这样的几轮朗读之后,学生已能当堂背诵,而且并不太有文字难度的文章,已经理解得比较好了。

刘禹锡的《陋室铭》运用“铭”的文体形式,用托物言志的方法表达了自己高洁傲岸的节操,安贫乐道的情趣。这与今天学生的生活相去甚远,如果学生不知道“铭”的特点,理解起来会有一定的难度,所以我在导入部分以让学生说座右铭的方式,既起到激励同学们的作用,同时自然的引出“铭”,了解是警戒自己或称颂功德的文字,从而带着对刘禹锡铮铮傲骨的佩服学习此文,品味其儒雅高傲之感,激发学习兴趣。

精心设计问题,“陋室到底陋不陋”,让学生发散思维,撒下大网到文中寻求答案。在寻找答案的同时,逐步深入地把整篇文章的内容串联起来,每个答案都让学生从课文内容出发,挖掘其意义,让学生在每一句课文的理解中都绽放出思维的火花,最后运用课文内容的内在联系和前后呼应把它连接在一起,融汇贯通,把全篇课文的讲析内容全部带了出来,在学生头脑中形成了“串珠成链”的整体把握效果。这种方式不仅能活跃课堂气氛,不让人觉得死气沉沉,而且问题与问题之间环环相扣,从屋外到屋内,从景—人—趣,一步步地随着学生自主地交流探讨深入进去,使学生在深入的过程中理解全文。

在介绍作者及其背景的环节中,让学生资料展示,到前面将自己认为重要的资料介绍给大家,并书写关键词。锻炼了孩子们的表达能力,同时提高了学生提炼关键词的能力。在疏通字词这个环节,我改变了以往以老师串讲为主的方法,而采用同学互相质疑、解答的方法,鼓励学生从书中发现问题,大胆提出问题,然后让学生将认为重要的或疑问整理到便利贴上,同学们互相解答。对于重、难点教师适当点拨、强调。这种方式改变了过去老师教、学生学的被动局面,让学生成为了课堂的主人。

结合刘禹锡的“安贫乐道”“高洁傲岸”,提出疑问,“当今社会这种处世态度是否仍然可行?”

学生辩论将课堂推向了高潮,但略微遗憾的是作为教师的我应该在学生情感价值态度观产生偏颇时更好的进行引导,这样就可以真正的将教师教书的同时,更能要育人的目标落实到实处。

顺应教育体制的改革,遵循“以生为本,打造高效课堂”的教育理念,本节课一如既往的延续了我常态课的教学思路,学生们适应,我也觉得顺手,没有因为是公开课而作秀或造假。学生们愉悦于作为课堂主人的成就感,我开心于作为教师的轻松感。课堂中出现的问题或不足正是今后教学中应该反思与提高的地方。我会沿着“以生为本,打造高效课堂”的教育改革思路,让学生真正成为学习的主人,打造出真正高效的课堂!

《陋室铭》教学反思缺点 陋室铭 教学反思篇六

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《陋室铭》教学反思缺点 陋室铭 教学反思篇七

1、掌握文言实词,正确翻译全文。

2、理解作者不慕荣利,安贫乐道的生活情趣。

3、学习托物言志表现手法。

1、托物言志手法。

2、翻译并背诵全文。

体会作者不爱慕荣利的高尚情操和安贫乐道生活情趣。

朗读法、点拨指导法

(一)激发导入

(二)简要了解作者及背景

(三)字词积累

(四)学生朗读课文,教师点拨朗读技巧。

(五)学生结合注释,正确的翻译课文。

1、自主翻译

2、合作交流

3、提问并适当点拨

方法:问题启示法

1、文章开头运用什么手法引出“陋室”?

2、作者从哪个方面写出了陋室不陋?

3、文章最后为什么要提‘诸葛庐’和‘子云亭’呢?

4、作者在文章结尾引用孔子的话有什么作用?

5、作者写陋室表达怎样的思想感情?

物 托物言志 志

高尚情操

陋室 安贫乐道

1、正确翻译课文,完成练习册。

2、背诵全文 。

这是一堂文言文教学。我用了一课时,上完后,自我感觉良好。认为教学任务完成,教学顺利。但是,今天改完基础训练册后发现,许多学生作业错误很多,字词翻译全班只有几个同学全对。问答题有几个没写的,中间对课文的内容掌握的也不够好。我认为这节课不太成功,原因有:

1、课文朗读少,课前预习不好。

2、没有充分发挥学生的主体作用。

3、学生主动思考积极性较差。所以以后设计问题要精,组织课堂能力要强。让学生做好充分预习,多读课文,熟悉文本。

《陋室铭》教学反思缺点 陋室铭 教学反思篇八

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《陋室铭》教学反思缺点 陋室铭 教学反思篇九

刘禹锡的《陋室铭》流传了千百年,聊聊八十一字,作者用凝练工整的语言表达出了高洁傲岸的节操和安贫乐道的情趣。如何让刚刚接触文言文不久的七年级孩子透过文字来理解作者的思想,把握作品的情感呢?我在进行了深入的文本分析之后,将朗读作为了这节课教学的一个抓手,通过朗读来理解课文内容,掌握重点的文言实词,并在此基础上了解作者安贫乐道的品质。

朗读是我这节课的一个重要抓手,朗读和课文理解是互为补充的,朗读是为了更好地理解课文,课文理解之后,朗读才能更有感情。所以,在进行教学设计时,每一次让学生朗读都必须问一个“为什么”?这次朗读是要达到什么样的目的?要对学生提哪些要求?层层递进,层层深入,学生的朗读能力才会提高,自然也就渗入了对课文的理解。

导入之后,我设计了各种形式的朗读来帮助学生完成对课文的感知。首先是散读,对学生的要求是大声,意在活跃课堂气氛,营造一个学习文言文的氛围。接下来我特意挑了一个朗读基础不是很好的学生站起来读课文,并提醒其他学生仔细听,挑出他读错的地方,在这个过程中完成了对课文的正音正字。但我还是忽略了一点,应该让学生上黑板写一写“馨”、“鸿”等字,对于七年级的孩子来说,写字的基础还是很重要的。疏通字词之后我又让一个声音洪亮的学生带领全班齐读了课文,并进一步提出“整齐、准确、流利”的要求。三次朗读,三次要求,完成了对课文的整体感知。

在重点读析部分,我设计了一个统领全文的大问题“陋室为什么会被称为陋室?你认为它陋还是不陋?”让学生就此展开讨论,并在文中圈画相关词句。我给了学生将近三分钟的时间进行小组讨论,这也是基于“以学生为主体”的理念。

可能是学生的课前预习比较充分,在“陋”和“不陋”这一问题上并没有引起太大的争议。学生能找到“谈笑有鸿儒,往来无白丁”,认为和作者交往的都是有学问的人,“可以调素琴,阅金经”可见刘禹锡的平时生活很充实;而且课文中还举到了诸葛亮和杨雄的例子,刘禹锡将自己的房屋和他们的放在一起,孔子也说了他们的房屋不陋,所以学生认为“陋室”是“不陋”的。在这里我又提醒学生“无丝竹之乱耳,无案牍之劳形”,“丝竹”也是音乐,“素琴”也是音乐,有何区别呢?这个问题对于学生来说难度大了一点,所以我还是主动给了学生答案,“素琴”是不加装饰的琴,弹奏出来的是清新高雅的音乐;而“丝竹”是指乐队演奏的音乐,一般只有达官贵人才能享受。这里也能看出刘禹锡不喜欢荣华富贵,而是喜欢过自己有精神追求的生活。

在分析到“苔痕上阶绿,草色入帘青”这一句时,有学生认为台阶上长满了青苔,房屋的外面也长了很多青草,所以可以看出陋室是“陋”的。我在对文本进行解读时认为这一句应该是表现出陋室的自然环境很清幽,是表现“不陋”的,但是听到学生这样理解,我觉得似乎也可以,于是就顺着他的理解讲了下去。现在看来,这一处课堂上的处理还是有问题的,这两句应该是表现出环境的清幽,正是因为刘禹锡追求的是简单、朴素、朴实无华的生活,所以这样的环境,他是喜欢的,在他眼里是不陋的。当时在课堂上应该对学生进行这样的引导,没有做到正是因为自己对文本的解读还不够通透。

对于文章的前四句,我也是用了一个问题来处理的,“前四句和陋室无关,似乎多余,你怎么看?”学生都说不多余,但似乎可以意会不多余的原因而无法言传。于是我提醒他们关注“山”、“水”、“仙”、“龙”和“陋室”的共通之处,在前面分析的基础上,他们说出“仙”、“龙”对“山”、“水”来说才是重要的,正如在“陋室”中最重要的实际上是“人”,我又追问:“是人的什么呢?”“品德高尚。”说出这一点,我知道学生已经理解了课文了,可以做总结了,“外表看起来非常简陋的房屋,因为有了优雅的环境,儒雅的友人和高雅的生活,在刘禹锡看来不陋了,从中我们可以看出刘禹锡这个人的品质非常高尚,也就是文中提到的一个词‘德馨’,德馨也就成了支撑这个房屋的一个横梁。”我的板书也设计成了一个房屋的形状,屋顶部分写上陋的表现,房屋的根基是不陋的表现,而横梁就是“德馨”二字。这个板书设计比较形象,对于七年级的孩子来说可能更容易理解和记忆。

在对课文进行了理解和分析的基础上,再提问学生刘禹锡写这篇文章表达了什么,他们基本可以说出安贫乐道的意思,只是无法准确表达。于是,我给了他们“安贫乐道”这个词,并作了解释。有一个学生提到了“宽容”,我也不假思索地认同了他的观点,现在想来这和我在文本解读时所理解的“豁达”还是有区别的,课堂上没有及时发现还是说明我在解读时没有通透地理解文本。

在理解了文章的基础上,我又要求学生读课文,并且提高了要求,要“生动,有感情”。学生的朗读较整体感知时有了提高。重点读析部分用时二十分钟左右,通过一个大问题的设计基本能够帮助学生梳理全文,思路也比较清晰,在回答问题的过程中落实了“德馨”、“上”、“鸿儒”、“白丁”、“劳”等词的意思。在这过程中也同样存在着不少问题,重点字词的落实还只是浮在表面,没有反复敲打;在分析课文时虽然有朗读,但对一些重点句的朗读还缺乏细致的指导以及示范朗读,这也是自身功力不够的表现,亟待学习和提高。

在拓展迁移部分,我让学生谈读了此文得到的启示是什么?并写成叙议结合的,目的是想让他们将课文中学到的内容和自己的生活实际联系起来,文以载道,对整节课的学习内容也是一个内化。

以有感情的背诵课文作为整节课的结尾,达到巩固的目的。

从整节课的教学效果来看,大的环节没有问题,思路比较清晰,课堂气氛也调动得不错,媒体的适时使用对课堂教学起到了很好的辅助作用。教学目标基本达到了,整节课也是围绕着教学重点展开的。最大的问题还是出在重点字词的敲打落实上。

在今后的文言文教学过程中,要重点关注以下几个方面:首先是重点的文言实词的敲打和落实,文言文要上的有味道,更要实实在在;其次是要加强对学生朗读的指导以及文言文学习方法的指导,比如工具书的使用,课文注释的关注等等,授人以鱼不如授人以渔;再次要关注课堂上生成的资源,让学生的发言为我所用。

无论是哪个方面的关注,其实最终都要归结于对文本的解读和对学生的解读,只有将这两者都解读通透了,并有机结合,才能上出精彩的课,才能上出真正适应学生的课。

《陋室铭》教学反思缺点 陋室铭 教学反思篇十

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《陋室铭》教学反思缺点 陋室铭 教学反思篇十一

这篇短文文质兼美,篇幅短小,读起来琅琅上口,容易引起学生的学习兴趣,因此在学习本文时,让朗读贯穿教学始终,学生在读中感知语言,在读中揣摩作者的感情,充分发挥文章的巨大感染力。我设计了几个朗读环节:1、在了解写作背景后,学生已有了学习本文的兴趣,我让学生听配乐朗读,让学生初步感受短文的优美语言,产生阅读的欲望。2、学生自由读,要求读准字音,把握节奏,初步进入文本。3、代表朗读,学生边听边思,品味每一句话的意思,给文章划分层次,侧重整体把握。4、学生精心朗读,划出文中的有关语句,品析这些语句是如何来表现陋室不陋的,感悟作者的高尚节操和安贫乐道的生活情趣。几轮朗读之后,学生理解比较到位,已能当堂背诵。

《陋室铭》运用托物言志的方法,表达了作者高洁傲岸的节操和安贫乐道的情趣。这与今天学生的生活相去甚远,如果学生不了解刘禹锡是在怎样的.情况下写了这篇不朽的名篇,理解起来会有一定的难度,所以我在导入部分以讲故事的形式介绍了本文的写作背景,让同学们了解到这是一篇不畏权势的战斗檄文,从而带着对刘禹锡铮铮傲骨的佩服学习此文,品味其儒雅高傲之感,激发学习兴趣。

精心设计问题,并形成一个问题链,让这些问题逐步深入,把整篇文章的内容串联起来,每个问题都让学生从课文内容出发,挖掘其意义,让学生在理解中都绽放出思维的火花,感受文章的魅力。整体把握中,我让学生给文章划分层次、概括层意,感受文章的结构美;合作探究中,我让学生找出描写陋室不陋的语句,体验作者的情怀,感受文章的思想美;精读品析中,我让学生找出你喜欢的语句,并说出你喜欢的理由,感受语言美。这种方式不仅能活跃课堂气氛,不让人觉得死气沉沉,而且问题与问题之间环环相扣,一步步引导学生深入文本,较好地达成了教学目标。

在疏通字词这个环节,我改变了以往以老师串讲为主的方法,而采用同学互相质疑、解答的方法,鼓励学生从文中发现问题,大胆提出问题,然后同学们互相解答,教师适当点拨,师生在平等对话中解决问题。

但可惜的是由于课堂安排前面有点松,后面时间有点紧,未能将刘禹锡其它的诗文呈现出来,让学生比较全面的了解刘禹锡在逆境中表现出来的乐观向上的情怀,让学生懂得人应该怎样面对挫折。

《陋室铭》教学反思缺点 陋室铭 教学反思篇十二

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《陋室铭》教学反思缺点 陋室铭 教学反思篇十三

《陋室铭》是一篇名传千古的美文,通过对简陋居室的描绘,极力形容陋室不陋,表达了一种不慕荣利的节操和安贫乐道的情趣。结合本文的教学过程我有几点反思:

1、文章的学习目标设定符合教材要求及学生的实际,教学设计能够围绕学习目标进行,落实重点和难点。

2、注重学生的主体参与意识,激发学生的合作探究意识,每个学生都能积极参与到课堂教学中来,比较注重渗透学法的指导,注重培养学生的“听、说、读、写”能力,让学生真正学会学习。

3、本文注意了以读为主,在朗读过程中,使学生们感受“铭”这种文体的篇幅短小,语句押韵、语言优美的特点,进而对课文的形式美有深刻的认识。还对学生的朗读进行指导,注意对学生适时的点拨,有层次的进行朗读指导,不仅让学生会读还要读好,读准节奏、读出感情、读出韵味,真正把自己融入文章中来,并且注意利用激励性的语言对学生鼓励。

4、巧妙的设计提问,采用小组合作、教师点拨来解决,引导学生逐步深入文本。精心设计问题,并形成一个问题链,让这些问题逐步深入地把整篇文章的内容。在设计问题这一环节我设计了七个问题,重点是:作者从哪三个方面描写了陋室的特点?作者的陋室是否简陋?找出文中可以表达作者观点的句子并作分析。在第一个问题的回答后对于句子的鉴赏,我引导学生抓住关键字鉴赏,学生却无从下口,这个问题相应也出现在第二个问题的分析上。课后我在寻找问题时发现在对学生的引导上也就是说在口头的问题上指向不明导致学生有了误解。

5、把握文言文教学的重点:积累文言词汇、句式等常识,准确翻译文章,为以后的文言文学习打好基础。再说,要深入理解文章的内容和思想,就必须理解课文字句,所以我在引导学生利用已有文言知识,借助课下注释,小组合作,自主学习,弄懂文章的此句意思。

6、让学生参与课堂和学习的全过程,做知识和思维的主人。

学生们对于语文知识的学习,不仅仅限于在课堂上由老师带领的分析,还包括课前对课本的预习,对重点知识的揣摩,对疑难问题的质询。更包括课后对所学知识的消化和演绎。所以,我从预习这个环节抓起,让学生参与学习知识的整个过程,做知识和思维的主人。

总之,文言文毕竟是一种与现今实际使用的语言相去甚远的古代书面语,学习时会有一定的难度,如果学生连字面意思都还没有搞懂,就很难理解此文的深层含义了,因此掌握文言词语和文言句式应该是本文的学习重点。可是,我因害怕设计的内容上不完,有意缩短了这个环节,使很多重要的字词没有得到解答,学生没有很好的理解,因而在后面研读文章时进行的不是很顺利。

《陋室铭》教学反思缺点 陋室铭 教学反思篇十四

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《陋室铭》教学反思缺点 陋室铭 教学反思篇十五

这篇课文文质兼美、篇幅短小,读起来琅琅上口,容易引起学生的学习兴趣,因此在学习本文时,让朗读贯穿整堂课,学生在读中感知语言,在读中揣摩作者的感情,充分“发挥文章的巨大感染力”。我设计了几个朗读环节:1,讲完背景故事后,学生已有了学习本文的兴趣,我于是进行范读,让学生初步感受短文的优美语言和意味,产生阅读的欲望。2,学生自由读,这是初读,要求读准字音,把握节奏,初步进入文本。3。指名朗读,要求读出情感。读后学生带着对文章的理解进行点评,对什么地方应该重读,什么地方应该轻读,什么地方应该停顿等提出了自己的看法,学生根据自己提出的看法再读课文,就不仅读出了情感,更读出文章的韵味4。女同学朗读,男同学画出描写陋室的语句,品析这些语句是如何来表现陋室不陋的。在这样的几轮朗读之后,学生已能当堂背诵,而且并不太有文字难度的文章,已经理解得比较好了。

刘禹锡的《陋室铭》运用托物言志的方法表达了自己高洁傲岸的节操,安贫乐道的情趣。这与今天学生的生活相去甚远,如果学生不知道刘禹锡是在怎样的情况下写了这篇不朽的名篇,理解起来会有一定的难度,所以我在导入部分以讲故事的形式介绍了本文的写作背景,让同学们了解到这是一篇不畏权势的战斗檄文,从而带着对刘禹锡铮铮傲骨的佩服学习此文,品味其儒雅高傲之感,激发学习兴趣。

精心设计问题,并形成一个问题链,让这些问题逐步深入地把整篇文章的内容串联起来,每个问题都让学生从课文内容出发,挖掘其意义,让学生在每一句课文的理解中都绽放出思维的火花,最后运用课文内容的内在联系和前后呼应把它连接在一起,融汇贯通,把全篇课文的讲析内容全部带了出来,在学生头脑中形成了“串珠成链”的整体把握效果。这种方式不仅能活跃课堂气氛,不让人觉得死气沉沉,而且问题与问题之间环环相扣,从屋外到屋内,从景-人-趣,一步步地随着学生自主地交流探讨深入进去,使学生在深入的过程中理解全文。

在疏通字词这个环节,我改变了以往以老师串讲为主的方法,而采用同学互相质疑、解答的方法,鼓励学生从书中发现问题,大胆提出问题,然后同学们互相解答。对于重、难点教师适当点拨、强调。

但可惜的是这个环节安排的时间太少了。文言文毕竟是一种与现今实际使用的活的语言相去甚远的古代书面语,学习时会有一定的难度,如果学生连字面意思都还没有搞懂,就很难理解此文的深层含义了,因此掌握文言词语和文言句式应该是本文的学习重点。可是,我因害怕设计的内容上不完,有意缩短了这个环节,使很多重要的字词没有得到解答,学生没有很好的理解,因而在后面了解文章主旨这一环节时,出现了一次短暂的冷场,虽然这次冷场被我巧妙的解决了,但仍然感到遗憾。

《陋室铭》教学反思缺点 陋室铭 教学反思篇十六

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《陋室铭》教学反思缺点 陋室铭 教学反思篇十七

我们按照活动工作人员的安排,面对的学生都是来自同一个班,学生的整体素质,用他们的语文老师的话来说:语文底子不大好。

教学活动开始了,由我在第一节课先给这个班的25位学生上课,蓝老师在第二节课给另外的25位学生上。在上课之前,我按照我事先准备好的程序进行,首先借助《打扫阳光》的故事,想借机跟孩子们拉近关系,鼓励他们敞开心扉积极配合我。在给他们讲故事的时候,我虽然做到了故事讲述完整,但是在讲述故事的时候没有做到故事的讲述必须注意的技巧,因此,在这一环节里我没有达到预期的目标,这可以从后面正式上课学生们的反应情况可以得知。

接着,课文的导入。在这一环节里,我本来的设想是先提示学生把“座右铭”的特点与课文的页下注释①进行对比,归纳一下“铭”这一种文体的特点。但却有大部分的学生不知道这一注释对“铭”的解释是什么意思,由于时间的关系,想着接下来还会有很多东西要讲解,因此,就提示他们看着课本的注释给他们进行归纳。这一点,我没有引导学生学会解决问题,而是代替了他们。

然后,在课程的进一步教学中,第一,我对本文的写作背景(刘禹锡被贬遭欺写下的三句话:面对大江观白帆,身在和州思争辩;垂柳青青江水平,人在历阳心在京;沉舟侧畔千帆过,病树前头万木春)没能够用自己的特长(毛笔字)形象的展现出来,对学生的背景把握造成了一定的影响。第二,在与学生们短暂的接触后,确切深知他们的语文知识水平令人深忧(他们有的连声母韵母都分不清)。在分配学习任务(由于本文共有9句,因此我安排他们每三人负责本文的一句翻译,单剩下来的一位男生与我共同对本文的最后一句进行翻译)这一环节中,令我欣慰的是,他们的合作精神是我在平常的教学中表现最好的,他们丝毫不比我所任教的两个班的学生差,教学效果也非常明显——对文章的理解翻译比预期的要好!但当我还沉浸在自我陶醉中的时候,评课老师们对我的质疑——课文比较浅显,有些句子可以忽略不翻译的,而我则在上面浪费时间,不应该!我对此也确有反思体会,我想,这就是蓝茂福老师的真知灼见——我们怕学生不懂,所以“包办”他们的一切,最后导致他们的“懒散”。第三,由于事先的教学设想与教学实际的差异(他们是初一的学生,我所教的这篇课文是初二第二学期的,而且我这节课的重点是翻译课文,他们的文言文知识储备还不够),本来准备用一节课45分钟完成的教学任务我得要花90分钟才可以完成。这让我从蓝老师的课当中得知,多媒体教学对教学效果起着不可估量的作用!

在这一次活动中,除了以上我的反思所得,我还收获了这些至宝:一是,始终要相信自己,勇于战胜自己!因为我在平常的教学活动中畏畏缩缩,总是担心这做不好,那也做不好,放不开手脚。但这一节课,我没有半点怯场,我终于战胜了那个胆小的我。二是,得到同行们的指正。闭门造车,限制了我的教学发展,同行们的真诚指点让我得知自己的缺陷。比如:八所中学文周仁老师对我本节课的建议、民族中学陈青梅老师对我本节课的质疑、同台切磋者蓝茂福老师对我本节课的直言以及活动组织者张所帅老师对我本节课的点评等,都让我从中获得启发。三是,让我真正懂得“读”在语文教学中的重要性,特别是文言文教学,只有真正落实到“读”,学生们才能够理解文章,我们教者才会做到“教是为了不教”,越教越有盼头,学生越学越有味道!四是,不用小瞧学生,应鼓励激发他们为主。学生的想象能力,是靠我们正确引导而充满色彩的,蓝老师对学生的鼓励、激励,让我见识了名师的风采,更见证了它的魅力!五是,教法要敢于创新,多思考如何教学有效。两堂课,如果不是亲身体验,我想,我不可能这样认为:蓝老师的胆量——能够打破传统教学的常规,反其道而用,并且取得预期的效果,这与蓝老师的个性有关,更跟他的独立思考有关!等等。

总之,这一堂课,让我看到自己的不足,更让我收获了许多,懂得了许多!我想,我只能够脚踏实地,认认真真的思考教学中问题,我才可能在教师成长的路上走得稳、走的远!

《陋室铭》教学反思缺点 陋室铭 教学反思篇十八

1、联想与想象是语文的翅膀,缺少联想与想象的语文课也就缺少了灵性。为此,在进行教学时,让学生在清幽的古筝曲中展开想象的翅膀,以“透过文字,你看到了什么?听到了什么?闻到了什么?”的提问方式引导学生进行想象,使陋室之雅具体地表现出来,为突出陋室“何陋之有”张本。而以往教学此文时,为突出“陋室不陋”这一重点,一般设计的题目为“陋室环境如何?陋室主人交往情况怎样?陋室主人有怎样的兴趣爱好?”提问琐碎,学生也不明白回答这些问题的目的何在。而改动后有力地突出了重点,也解决了难点。

2、“语文的外延与生活的外延相等”,语文必须与现实社会紧密联系,方可体现语文教学的现实意义。因此,课上在分析完陋室主人安贫乐道、高洁傲岸的情操之后,我设计了一个小讨论:“今天的你如何看待这种不慕名利、安贫乐道的做法?”这个问题的设计应是学生最有话说的部分,但在教学过程中学生有些怯场,我也没有留下足够的时间,一起参与学生的讨论,导致学生没有充分讨论和大胆发言,这是我的失误。

3、培养学生主动质疑,大胆发问的习惯和能力。因此我设计了一个学生质疑发问的环节,鼓励学生从读书中发现问题,提高学生解决问题的能力。这个环节因为留的时间相对充足些,学生提出了一些很有价值的问题,如“为何以《陋室铭》为题?”“为何自比名人居室?”“篇末为何引用孔子的话作为结束语?”“为何自比‘南阳诸葛庐,西蜀子云亭’?”“为何将平民比作白丁,是否歧视平民?”等等。学生在质疑的过程中,也在思考着如何解答这些问题,这个思维的过程本身就是教学的目的。

4、语文课上应有琅琅读书声,尤其是文言文。《陋室铭》是一篇文质兼美、脍炙人口的名篇。课堂上无论是范读、散读、齐读,目的都是让学生从读中去悟作者的感情,品味文字的美感。因此我设计了四次读书,开篇散读,是为了使学生正确把握停顿和节奏,初步感知作者感情。接着一生范读是为了启发学生的想象。第三次读是明确本文写作目的后的齐读,是读出对作者节操的赞美之情。上课结束时还有一读(或背),是为了体会本文一直押韵,只最末一句不押韵的作用,品味文字的美感。但最后这一读,因下课铃响而导致未能实现,是一大遗憾。

5、借助多媒体教学,使学生感受陋室之雅,也使学生的想象有了具体的对照,学生中有不认同者,我正好趁此机会说:“这正是文字的魅力”。在课堂教学实施过程中,果然碰到了类似情况,因此我进一步向学生介绍读书的好处。雅致的动态画面配以《广陵散》等音乐,是对学生进行潜移默化的艺术熏陶。因为语文本身与艺术是密切相通的。

6、语文课是美的教学,老师本身的语言也应是美的。在教学中我力争做到不讲或少讲“水话”,使自己的授课语言更规范、更优美。也许这一点带来了相应的弊端:似乎更拉远了原来就已很感陌生的师生距离。而我在自己班上课,因为师生有感情基础,学生也适应和习惯了我这样的教学方式,所以在自己班上课是得心应手的。因此我反思之余也顿生一丝迷惑与彷徨:外出与不熟悉、没有感情基础的学生交流,是否还该保持规范、优美的授课语言和一贯的授课风格?如何更好地拉近与学生的距离?

《陋室铭》教学反思缺点 陋室铭 教学反思篇十九

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《陋室铭》教学反思缺点 陋室铭 教学反思篇二十

《陋室铭》是唐代刘禹锡所写的一篇托物言志的名篇。文章借“陋室”,来表现作者高洁傲岸的节操和安贫乐道的情趣。结合本文的教学过程我有几点反思:

刘禹锡的《陋室铭》运用托物言志的方法表达了自己高洁傲岸的节操,安贫乐道的情趣。这与今天学生的生活相去甚远,如果学生不知道刘禹锡是在怎样的情况下写了这篇不朽的名篇,理解起来会有一定的难度,所以我在导入部分以讲故事的形式介绍了本文的写作背景,让同学们了解到这是一篇不畏权势的战斗檄文,从而带着对刘禹锡铮铮傲骨的佩服学习此文,品味其儒雅高傲之感,激发学习兴趣。

这篇课文文质兼美、篇幅短小,读起来琅琅上口,容易引起学生的学习兴趣,因此在学习本文时,让朗读贯穿整堂课,学生在读中感知语言,在读中揣摩作者的感情,充分“发挥文章的巨大感染力”。我设计了几个朗读环节:

1、讲完背景故事后,学生已有了学习本文的兴趣,我于是进行范读,让学生初步感受短文的优美语言和意味,产生阅读的欲望。

2、学生自由读,这是初读,要求读准字音,把握节奏,初步进入文本。

3、指名朗读,要求读出情感。读后学生带着对文章的理解进行点评,对什么地方应该重读,什么地方应该轻读,什么地方应该停顿等提出了自己的看法,学生根据自己提出的看法再读课文,就不仅读出了情感,更读出文章的韵味。

在疏通字词这个环节,我改变了以往以老师串讲为主的方法,而采用同学互相质疑、解答的方法,鼓励学生从书中发现问题,大胆提出问题,然后同学们互相解答。对于重、难点教师适当点拨、强调。

但可惜的是这个环节安排的时间太少了。文言文毕竟是一种与现今实际使用的活的语言相去甚远的古代书面语,学习时会有一定的难度,如果学生连字面意思都还没有搞懂,就很难理解此文的深层含义了,因此掌握文言词语和文言句式应该是本文的学习重点。可是,我因害怕设计的内容上不完,有意缩短了这个环节,使很多重要的字词没有得到解答,学生没有很好的理解,感到遗憾。

《陋室铭》教学反思缺点 陋室铭 教学反思篇二十一

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